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Artist - Recording Company Contract Logbook (Music Industry): 200 Contracts (200)

Artist - Recording Company Contract Logbook (Music Industry): 200 Contracts (200)

 

 

 

Artist - Recording Company Contract Logbook (Music Industry): 200 Contracts (200)

by Julien Coallier

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Details:
rank:
price: $8.99
bound: 202 pages
publisher: CreateSpace Independent Publishing Platform (April 13, 2017)
lang: English
asin:
isbn: 1545297223, 978-1545297223,
weight: 1.3 pounds (
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Artist - Recording Company Contract Logbook (Music Industry): 200 Contracts (200) Julien Coallier

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Artist - Recording Company Contract Logbook (Music Industry): 200 Contracts (200)

Supposedly passing comment on rival US producer Scott Storch, Timbaland boasts on the Nelly Furtado track Give It To Me:If the production company strings the artist along or fails to secure the promised record deal, the artists only comeback will be where theyve retained a right of termination on failure to meet any agreed targetsMixing and mastering costs, if undertaken separately at the labels request, should be borne by the labelWe also offer leasing contracts for artists as wellThis should be resisted, with the producer arguing for payment on all other secondary exploitationA successful producer might object to being paid in this way, especially if the artist has secured a lowerthannormal royalty rate in their record dealAfter all the hard work and patience, the producer will want some money in his pocket

 

One significant advantage of the productioncompany arrangement, as far as the producer is concerned, is that more than one artist can be signed to a production deal with the same companyIts not uncommon for the producer to be required to obtain permission for the use of any uncleared samples as wellIn some situations, production companies accept advances from major record labels, pocket the money, and then recoup it from the artists account! If youre an artist, or you act for one, pay close attention to the wording of the contractOf course a production agreement cannot guarantee the ultimate record dealDownload the free music contract that suits your needsBrass In Pocket

 

Producer Agreements Vs Production AgreementsConsequently, the role of producer as creative and business person has expandedDOWNLOAD FOR FREE Take your career seriously and make sure your situations are protectedStudio time has to be booked, budgets managed, session players and equipment hired not to mention the visionary, technical and interpersonal skills required to deliver an album on time to expectant A&RThis may, or may not be the caseIndependent producers such as Stuart Price (Madonna/Seal), Nigel Godrich (Radiohead/Paul McCartney/Travis) and Danger Mouse (Martina TopleyBird/Gnarls Barkley/Gorillaz), together with US counterparts such as John Shanks (Take That/Kelly Clarkson/Alanis Morissette), Nate Hills (Britney Spears), or Ryan Tedder (Leona Lewis/One Republic), have all experienced huge mainstream success working on a range of artist projects, in different musical genresFor example, were you to produce three tracks on an 11track album, youd be entitled to 0.27 (3/11) x 4 = 1.08 percent royaltyUnder a production agreement, the producer might assume entire responsibility for A&R and recording tasks, simply handing over the master recordings to the label at the end of the process.More and more record labels outsource the artist development process to trusted producers and smaller independent labels, or simply rely on them to deliver finished product, which can then be marketed and distributedIt is typically the record label that funds the upfront recording costs, with the producer providing a written assignment of ownership in the sound recording copyright(s) to the record labelProducers are, in fact, paid a percentage of the artists royalty

 

In this situation, since the producer is responsible for recording costs, hell need to know how to manage the budget prudentlyWhats more, if the producer doesnt have a manager to share the load, theyll need to do all these things for themselves in addition to handling the legal and financial side of their daytoday business!There are two contracts of particular note for the producer:At this point the record label will pay producer royalties retroactively to record one ie.So, for example, where an artist is paid 15,000 on a sync fee for a car commercial, the producer will be entitled (on the figures above) to 0.24 (4/17) x 15,000 = 3600

 

Protect YourselfIf the artist is unhappy and a record deal isnt procured, the artist should be free to terminate the arrangementA production agreement thus permits the producer to raise his pay by 6 percent, and also to apply this royalty clause to more revenue streams than would be the case in a standard producer agreementWe offer contracts for exclusive rights from a producer to artist, leasing rights, or record label owner contracts to artistsAny fee, however, depends greatly on negotiation and individual bargaining powerThe record label benefits, of course, since where a producers done all the groundwork, all they need do is market the albumNormally theyll commit to one album proper, with the option to continue the deal, dependent on the success of any prior releaseIn this case, the lawyer acting for the producer should attempt to secure a higher royalty rate independently, with any shortfall made up by the record labelFor example, a production agreement will often cover a share of secondary exploitation rights (sync, audiovisual, interactive, compilation albums and so on), as well as publishing rights, where the production company is associated with a publisherThe producer should also seek to include whats known as Aside protection in a producer agreement 2ffeafca65

 

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